Jordan Hillman, “At the Foot Of The Printing Press: Public And Pictorial Execution In Late-Nineteenth Century Paris,” 2016.
Jessica Larson, “The Borderless Image: Félix Philppoteaux’s Panorama Of The Siege Of Paris,” 2016.
Kaila Schedeen, “(Re)Serving Space: The Cosmic Landscapes of Will Wilson’s AIR Weaves,” 2016.
Kristina M. Gray, “King Luis I of Spain on Horseback: Bourbon Legitimization and the Catholic Ideal in Early Eighteenth-Century Peru,” 2017.
Gabriella L. Johnson, “Palermitano or Romano?: Problems of Chronology and Documentation in Caravaggio’s Nativity with Saints Lawrence and Francis,” 2017.
Laura Leigh Fielding Sevelis, “Framing Iconoclasm: The Archdukes Albert and Isabella Visit a Collector’s Cabinet,” 2017.
Dorothy Lewis Fisher, “Huzza! She spurns the Northern scum!”: Monuments and memory in Maryland: A Guide to the Old Line State,” 2018.
Natalie Giguere, “Bobbin Lace: A Space for Signature Style in Portraits by Rembrandt and Frans Hals,” 2018.
Bridget Killian, “The Angry Black Athlete”: The 1968 Olympic Protest, the National Museum of African American History and Culture, and the Politics of Remediation,” 2018.
Victoria Sunnergren, “Broken Pottery: The Material Failures of Glazed Pottery and the Field Matron Program at Laguna Pueblo, 1899-1910,” 2018.
Zoe Weldon-Yochim, “Mining Matter(s): Bonnie Devine, Anishinaabe Cosmologies, and Uranium Extraction on the Canadian Shield,” 2018.