Publications

Below you’ll find recent publications from faculty affiliated with the Center. Publications are listed in chronological order, beginning with the most recent. Click the title of the book to view the publisher’s page.




Julian Yates
Of Sheep, Oranges, and Yeast: A Multispecies Impression  (Minnesota, 2017)

Bringing together conversations in animal studies, plant studies, ecotheory, and biopolitics, Julian Yates crafts scripts for literary and historical study that embrace the fact that we come into being through our relations to other animal, plant, fungal, microbial, viral, mineral, and chemical actors. What emerges is a methodology that fundamentally alters what it means to read in the twenty-first century.


Wasserman Babette Tischleder and Sarah Wasserman, eds.
Cultures of Obsolescence: History, Materiality and the Digital Age (Palgrave MacMillan, 2015)

Obsolescence is fundamental to the experience of modernity, not simply one dimension of an economic system. The contributors to this book investigate obsolescence as a historical phenomenon, an aesthetic practice, and an affective mode.


Hill

Jason E. Hill and Vanessa R. Schwartz, eds.
Getting the Picture: The Visual Culture of the News (London: Bloomsbury, 2015)

Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms.

For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.


NeesLawrence Nees
Perspectives on Early Islamic Art in Jerusalem (Netherlands: Leiden, 2015)

Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif, also known as the Temple Mount, Lawrence Nees provides the first sustained study of the Dome of the Chain, a remarkable eleven-sided building standing beside the slightly later Dome of the Rock, and the first study of the meaning of the columns and column capitals with figures of eagles in the Dome of the Rock. He also provides a new interpretation of the earliest mosque in Jerusalem, the Haram as a whole, with the sacred Rock at its center.


Stetz Margaret D. Stetz
“Dressing the Aesthetic Woman.” Crossings in Text and Textile. Daneen Wardrop and Katherine Joslin, eds. (Durham, NH: New Hampshire UP, 2015) 149–66.

Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity. By bridging material culture and discourse, Crossings establishes the significance of fashion—while neglecting none of its aesthetic appeal—to offer historicized readings on a variety of topics, from Jane Austen’s nuanced display of social interactions through the economics of muslin to the 1871 Park and Boulton cross-dressing trial and Jessie Fauset’s selection of apparel to express racial power. The geographic span of textiles from different economic areas around the globe includes Asia, Africa, Europe, and North America. By making use of transatlantic texts to consider the political and social positioning of both workers and consumers, the collection further expands upon the emerging cross-disciplinary study of reading dress.


159276595_rochester-ny-f-w-woolworth-store-main-clinton-streets-Ed. Deborah Andrews, former Director of the Center for Material Culture Studies
Shopping: Material Culture Perspectives (UD Press, 2014)

The themes explored in this volume are based on the Fall, 2011, iteration of the Material Culture Studies course MCST299, “Research in Material Culture Studies: The Architecture of Shopping.” This class was open to the public and all lectures were recorded. These lectures, which are often a version of the chapters found in “Shopping: Material Culture Perspectives” can be accessed here.The essays in this volume—authored by historians with varied specialties, an anthropologist, an environmental journalist, a geographer and urban planner, and practicing artists—demonstrate how a material culture perspective on shopping yields insights into multiple aspects of American culture.


L'Amerique (Brueckner)
Martin Brückner
Common Destinations: Maps in the American Experience
(Online Exhibition Catalog, Winterthur Museum, 2014)

Common Destinations: Maps in the American Experience is a path-breaking exhibition that charts objects and imagery related to America’s historical fascination with maps. Created by Martin Brückner, Professor in English and American Literature at the University of Delaware, assisted by Winterthur’s Catharine Dann Roeber, Alana Staiti and Heather Hansen, Common Destinations was displayed in the Winterthur Galleries (April 20, 2013 to January 5, 2014) and is permanently available online. It features over 100 Winterthur library and museum collections objects and images as well as loans from other collections.

Throughout history, maps have defined the American experience. Since the early 1500s they introduced the American continent to European explorers and colonists. After the American Revolution, they shaped the image of the new nation; and during the nineteenth century, maps documented westward expansion, civil war, and the closing of the frontier. But while today we are used to seeing historical maps as a popular strategy for telling the American story to history buffs and movie fans alike, what we are not used to seeing is how the very maps that declared independence or measured the progress of the nation were used day-in and day-out by people who went about their business in spite of social change and political crisis.